Minerals – Petrified Worlds

The sharp edge is cutting; my finger holds cold. I long for the polished and also the soft.

UNFOLDING – Schleusingen, Germany, 2025

Abstract close-up photography of a mineral surface, lit by a ring light; focused expression conveying emergence and inner transformation, strong lighting.

Photographed 2025, Schleusingen, Germany | Published 2025

Do I seem transparent to you?

My heart is beating.
Strongly embraced by light.
I am transforming, breathing, and yearning to expand.

Though I am not healed, I can speak again, and I’m ready to belong.

REMEMBER THE WIND – Mini Series, Leipzig, Germany, 2025


A breeze, and everything turns to stone.
In this place of silence, I found red leaves that told stories in the wind.

Autumn Winds In The Mountains - Time slowing down and cutting through icy blue, Leipzig, Germany, 2024

AUTUMN WINDS IN THE MOUNTAINS

Photographed 2024, Leipzig, Germany | Published 2025

There are moments when time seems to slow down and what is important and dear to us fades into the earth.
The sky is above me; they are below me.
In the storm of the wind, they cut through the icy blue.

Dancing Leaves - Learning to let go while leaves dance, Leipzig, Germany, 2024

DANCING LEAVES

Photographed 2024, Leipzig, Germany | Published 2025

I thought the world was standing still.
I moved; it moved, and I stood on top of it.
While the leaves danced, I learnt to let go of what was there before.

A lion-like, imaginary figure seems to emerge from volcanic ash, sand, and stone on a Balinese shore – a silent guardian beneath the shadow of Mount Gunung Agung.

KEEPER OF GUNUNG AGUNG – Amlapura, Bali, Indonesia, 2021

Photographed 2019, Amlapura, Bali, Indonesia | Published 2021

A lion is greeting me.
A being emerging from motion and stasis.
A silent guardian born from water and ash.

The creature, firm, watches.
It maintains balance beneath the shadow of the sacred mountain.

Floating between light and shadow, waiting for the moment until it vanishes back into the sea.

Golden Veil - Choreography of sun's blinding rays on old house, Saarburg, France, 2020

GOLDEN VEIL

Photographed 2020, Saarburg, France | Published 2020

A glimmer of sunlight, revealed and hidden as a veil.
It danced, jumped, and swept around, and then—
silence.

A choreography made from the sun’s blinding rays, only for a moment, on an old house in France.

Fleeting.
But I remember.

Basalt dust and sand form black and white granular patterns in a misty atmosphere — a fleeting volcanic moment on an island.

WRAFTS OF MIST—Amlapura, Bali, Indonesia, 2019

Photographed 2019, Amlapura, Bali, Indonesia | Published 2020

I let the world disappear and rebuild everything.
Grain by grain, mountains and ravines emerge, swallowed up by mist.
Grains in black and white.
Is it heaven?
Is it hell?

A wave.
Water flows in, creating something monumental.
And then—it’s gone.

Swept away by the current, and I start all over again.

Textured close-up of sand and stone, shaped by time into living, flowing ripples — an abstract vision of geological transformation.

DEFORMATION – Sanur, Bali, Indonesia, 2019

The ripples around me feel alive.
Flowing.
Forming their own path, drawn by their own language across the surface.

A spirit invoked from the folds of the earth.
A place where things are shaped.
The most solid ground might shift beneath me.
It changes.

But I remain whole.

An organically shaped stone formation in earthy tones, appearing both in motion and frozen — as if lingering in slow transformation for eons.

LINGERING – Lucerne, Switzerland, 2018

I catch myself asking:
What does it mean to linger in a world that never stands still?

Standing still is synonymous with death.

I move and change; I expand and hold on.
Everything is spinning. It’s just too much.

I want to stand still, but I keep moving.

This form could have lingered for aeons.
Floating in its movement and still trying to expand.
It’s matter, both solid and fluid.
A testament to slow, patient change.

Do I decide to stay?

Rust-red iron stains and pale lime traces on dark basalt stone – frozen ripples drawn across the weathered surface of an old bridge.

RIPPLES OF SACRIFICE – Koblenz, Germany, 2018

My mind wanders, and lime deposits trace ripples frozen in time.
Like memories fossilised in stone.
Currents that never truly stopped flowing.
And rusty, bloody reds engulfing this firm basalt stone.

It drew me near, this place near the river, in this city I visited once in my childhood.
Koblenz’s old Balduin Bridge—
Scarred by war, torn down, rebuilt, and still standing strong.

I’m reading, and I lose myself in the history of the country I grew up in.




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